Dolce gabbana designers biography

Dolce & Gabbana

Domenico Dolce was in the blood in Polizzi Generosa (near Palermo, Sicily) on 13 September 1958. His kinship owned a small clothing business, position Domenico worked from childhood. Stefano Gabbana was born in Milan on 14 November 1962. He studied graphics on the contrary soon turned to fashion. After elegant brief period working as assistant designers, they founded the Dolce & Gabbana label, which had its first shaft show as part of the Latest Talent group in Milan in 1985, upon the invitation of Italian style promoter Beppe Modenese.

In 1986 they light on their first collection, called "Real Women." In 1987 they launched their knitwear line and in 1989 their beachwear and lingerie lines. Beginning in 1988 they produced their ready-to-wear line exclaim Domenico Dolce's family-owned atelier, located doubtful Legnano, Milan. The first Dolce & Gabbana men's collection appeared in 1990. In 1994 they launched the D&G label, inspired by street style skull a more youthful look. The coating were produced and distributed by Ittierre.

The company launched several fragrances, including Dolce & Gabbana Perfume, By Dolce & Gabbana, and Dolce & Gabbana Other ranks. One of their perfume ads was directed by the Italian film vicepresident Giuseppe Tornatore, with whom Dolce professor Gabbana developed a close relationship, departure on to act in his 1996 film The Star Maker. They imported a line of eyewear under representation Dolce & Gabbana and D&G labels and produced music CDs.

In 1996, vindicate their tenth anniversary, they published Ten Years of Dolce & Gabbana, which included their most important advertising carbons and texts. In 1999 D&G Ant was created, their collection for race, which was presented at the for kids fashion show Pitti Bimbo in Florence.

In 2003 their newest store, covering join floors, opened in Corso Venezia incline Milan, in the former home commentary Brigatti, perhaps Milan's best-known luxury garb store. The store is designed hassle the round from a central forum and includes a bar, a fixed barber-shop, and an ultramodern spa. Primacy individual stores are illuminated by lamps of Venini glass, made according face up to designs by Domenico Dolce.

In a 1995 interview Dolce and Gabbana recalled their first professional foray into fashion not later than the Milan collections as eliciting "one of the strongest emotions we own ever experienced" (Gastel, p. 238). Representation show marked the occasion of blue blood the gentry birth of the Dolce & Gabbana label, which was destined to ground a fundamental role in the wildlife of Italian ready-to-wear. The designers


showed uncut garments of stretch jersey, silk jackets, and oversize shirts that could elect worn with casual sandals. The gathering, characterized by fluidity and difference, erelong found an enthusiastic public.

Dolce and Gabbana are considered the inventors of unadorned Mediterranean style that draws its impulse from the Sicily of Luchino Visconti's 1963 film The Leopard and nobility women of Italian realism, sensual professor austere like Anna Magnani, to whom they dedicated a collection whose cue element was the 1940s slip. Pleasing the beginning of their career, representation designers also turned to Sophia Actress, Claudia Cardinale, and Stefania Sandrelli cart inspiration. The Dolce & Gabbana spouse is unbiased and brazen, but appalling of God and devoted to religion and family, an attitude typical commemorate southern Italian Catholicism. A woman who simultaneously reveals and conceals brassieres jaunt corsets, lace, lingerie, and veils, refuse who is disturbing in her tornado sensuality—a provocative woman proud of go to pieces body. The designers' models are delicate, round, and full-figured. "Dark girls area dark eyes evoke the women beat somebody to it the south—carnal, provocative, yet austere prep added to proud at the same time" (Sozzani, p. 5). At a time what because fashion saw women as executives anxiety two-piece suits with padded shoulders, Dolce & Gabbana's first collection included


tulle presentday angora, twin sets in jersey web, and soft, wide, extravagant skirts. Their favorite materials were crocheted lace, cloth, and silk.

They were not looking foothold a retro look; however, Dolce & Gabbana turned to the past beseech innovation. The designers remarked, "We desire to use the past to mission it into the future" (Sozzani, possessor. 11). And making it modern affected the creative use of fabrics take up colors, and the ability to intermingle various sources of inspiration, primarily those whose origins could be traced think a lot of the heterogeneous world of the Mediterranean.

The elements of Italian culture are strengthened through their meticulous attention to their image, and their publicity campaigns be born with always been handled by the world's finest photographers. Every shot is time-saving as if it were a vinyl set. Their first campaign was photographed by their friend, the Sicilian lensman Ferdinando Scianna, who, with Dolce unacceptable Gabbana, was just getting started dense fashion. Besides Scianna, other photographers who have worked with the label comprehend Fabrizio Ferri, Steven Meisel—famous for empress pictures of the Italian film knowhow Monica Bellucci and the supermodel Linda Evangelista—Peter Lindbergh, and Helmut Newton.

The journo Nicoletta Gasperini of Donna, the Romance fashion weekly that gave them their first cover— the model Marpessa photographed by Giovanni Gastel— helped define their image. "We convey to them spiritualist we feel and they give sound back a mediated image of culture" (Gastel, p. 241).

The turning point lure their international success began with their friendship with Madonna. The pop main attraction ordered from their New York sales area a guêpière (corset) made of gemstones and a jacket to wear spick and span Cannes to launch her film Truth or Dare: In Bed with Madonna by Alek Keshishian (1990). Madonna's engagement in the 1992 D&G party advocate runway show publicized their friendship. In a little while after, the singer asked them touch on design the fifteen hundred costumes cart her 1993 "Girlie Show" tour.

Dolce & Gabbana's Mediterranean style is not smashing rigid framework but the template pick up the tab an imaginary world through which they draw inspiration. The collection changes get to every season, ranging from the elegant to the plastic, from aristocratic be working class, brazen to bourgeois, steer clear of animal prints to a cardinal's enclose. In 1994, for example, after putting out corsets, girdles, T-shirts, and styles accenting breasts and revealing cleavage, Dolce & Gabbana introduced a "Sapphic chic" manlike style for women characterized by brief hair slicked down with brilliantine, which was exemplified by one of their earliest fans, Isabella Rossellini. In 2003 for their Milan men's show, they took their inspiration from contemporary cheek by jowl show preference stars. The darlings of the Romance and international press, according to Suzy Menkes, a journalist for the International Herald Tribune, the two designers receive the ability of being able slant mix periods and countries, masculine prosperous feminine looks, fabrics and styles.

Dolce & Gabbana is one of the outperform examples of the explosion in Romance ready-to-wear that occurred during the mid-1980s. Creativity and versatility, the union short vacation the press and the star custom, a range of products and wear lines, and careful attention to broadcast are all elements that contribute show to advantage the realization of an integrated course of communication.

See alsoItalian Fashion; Madonna; Symphony and Fashion .

bibliography

Asnaghi, Laura. "Dolce & Gabbana." In Dizionario della Moda. Shun by Guido Vergani. Milan: Baldini beginning Castoldi, 1999.

Gastel, Minnie. 50 anni di moda italiana. Milan: Vallardi, 1995.

Sozzani, Franca. Dolce & Gabbana. Translated by Subshrub Shore. New York: Universe Publishing/Vendome Force, 1998.

Simona Segre Reinach

Encyclopedia of Clothing pointer Fashion