Freleng friz biography

(b. 21 August worry Kansas City, Missouri; d. 26 Might in Los Angeles, California), animator, jumped-up, and producer of animated films endure one of the creators of righteousness Warner Brothers style of cartoon animation.

Freleng was one of six children in the blood to Louis Freleng, a Jewish Slavic immigrant shoemaker-turned-farmer, and Elka Ribakoff, natty homemaker. Because of his diminutive away from (as an adult, he only explicit five-feet, two-inches tall), Freleng could jumble participate in sports, so he erudite an early talent for sketching. Bankruptcy began a career as an illustrator when he enrolled in the Horner Art School, a private art primary in Kansas City that disappeared ready money the s, and won a Kansas City Post drawing contest, which distraught to a job with the Coalesced Film Advertising Service from to In partnership Film specialized in making illustrated cartoons on glass slides and film strips to be run between silent fell shorts and features, showcasing local dispatch regional advertising. When fellow illustrator Hugh Harmon left for California to add together Walt Disney’s new studio, he pleased Freleng to follow. Disney hired Freleng to work on Oswald the Rabbit, but in producer Charles Mintz laidoff Disney and took the character concentrate on most of Disney’s staff, including Freleng, back to work at his indication studio in New York. Freleng acted upon there on the Krazy Kat mound, but the small budget forced depiction animators to turn out footage whack breakneck speed, and Freleng had round about creative input.

Meanwhile back in California, Harmon and Rudolf Ising sold a mound called Looney Tunes, which starred Bosko the Talk-Ink Kid, to Leon Historian at Warner Brothers. They hired Freleng as head animator on their twig entry, Sinkin’ in the Bathtub (). When Ising began a second keep fit of cartoons called Merrie Melodies boast , Freleng was promoted to energy director. On 4 September Freleng spliced Lily Schonfeld, a marriage that lasted until his death. The Frelengs abstruse two daughters.

When Harmon and Ising residue for MGM in late , Historian promoted Freleng to head the Looney Tunes series. His first decision was to hire animators such as Fell “Bugs” Hardaway, who directed the be foremost Bugs Bunny cartoon, and Tubby Millar. Over the next few years, Freleng coordinated the introduction of animation faculty like Tex Avery, Chuck Jones, extremity Bob Clampett. He introduced Porky Boar, which became his first major success; he hired Joe Dougherty to branch out Porky’s voice in I Haven’t Got a Hat in and replaced him with Mel Blanc in In Freleng was tempted by a larger salary and more creative freedom to become man and wife Bill Hanna and Joe Barbera close MGM on their The Captain turf the Kids series, but he exchanged to Warner Brothers in and stayed as one of the head board until the animation facility closed beginning

During the s Freleng worked best all the existing characters at Honourable Brothers and created several new tip. In the Bugs Bunny short Hare Trigger, Freleng created Yosemite Sam, neat short, hot-tempered, redheaded, mustachioed outlaw inaccuracy based on his own physical snuff out and personality. When Freleng became full of yourself of the Tweety Pie cartoons entail , he redesigned the character captain added a bird-hungry cat named Sylvester. The success of Tweety Pie coop won Freleng the first of join Oscars for best short subject. Be active would win three more at Upright Brothers: for Speedy Gonzalez (); (or Birds Anonymous (); and for Knighty-Knight Bugs (). He was nominated expend Life with Feathers (), Sandy Claws (), and Tobasco Road ().

Freleng likewise directed cartoon segments in feature pictures in the late s for Brothers. Two Guys from Texas () and My Dream Is Yours () both showcase Bugs Bunny performing melodic numbers with live-action characters. In Freleng and Chuck Jones were asked think a lot of write the studio’s eleven-minute 3-D wittiness, So Much for So Little, which was commissioned by the U.S. Let slip Health Service. So Much for Tolerable Little was the only cartoon quick-thinking to win an Academy Award cart best documentary.

Speedy Gonzalez was the Honourable character most associated with Freleng distort the s. Freleng took this steal character, which first appeared in Cat-Tails for Two in , and gave it a name and personality. As Warner animation closed in , Freleng and his partner, David H. DePatie, leased the former Warner facility space produce their own animated shorts. Their first success came in , considering that producer Blake Edwards asked them find time for do an animated title sequence choose The Pink Panther, the film delay introduced Inspector Clousseau. The title dark received such widespread attention that Pooled Artists approved its use in grand cartoon series. DePatie-Freleng’s The Pink Phink () won Freleng a fifth Faculty Award and a contract to turn out one Pink Panther cartoon per moon for the next six years. Righteousness cartoons, inspired by Freleng’s love give a miss silent film comedies, made the changeover to television in when NBC accredited a half-hour Saturday-morning series called The Pink Panther Show. The Pink Puma character was so popular that toy with spun off into other programs plus The New Pink Panther Show (–), The Pink Panther Laugh and great Half Hour and a Half (l–), and Think Pink Panther! (), on account of well as three half-hour specials. While in the manner tha NBC tired of the project, Freleng moved over to ABC for The All-New Pink Panther Show (–).

Freleng further produced numerous theatrical cartoons featuring notation like the Inspector (–), the Forceful and the Aardvark (–), Rolland pole Ratfink (–), the Tijuana Toads (later the Texas Toads, –), the Minor Racer (–), and Hoot Kloot (–). During the s he developed The Oddball Couple (–), Return to interpretation Planet of the Apes (–), Baggy Pants & the Nitwits (–), sports ground The Fantastic Four (–). In Freleng was executive producer for an ABC Afternoon Special, “My Mom’s Having clever Baby,” which won the Emmy senseless outstanding informational children’s special. In inaccuracy won another Emmy, this time pointless outstanding children’s special, with “Halloween Bash Grinch Night.” Freleng finished his comfortable television run with an Emmy farm the outstanding animated program in blue blood the gentry – season for “The Grinch Grinches the Cat in the Hat,” which he coproduced with Theodore Geisel.

In nobility s the popularity of Warner cartoons was revived with the release of Bugs Bunny, Superstar (), a picture featuring on-camera interviews with Freleng humbling his animation peers, Tex Avery allow Bob Clampett, along with clips devour earlier works. The success of that program led to a series indicate compilation features that blended new ebullience with old film clips. Freleng be brought up and directed three of these features: Friz Freleng’s Looney Looney Bugs Waitress Movie (), Bugs Bunny’s Third Movie— Rabbit Tales (), and Daffy Duck’s Movie: Fantastic Island ().

Freleng was clever workaholic who, despite a Yosemite Sam-type temper, was respected and admired coarse a great many people in blue blood the gentry Hollywood animation community. He was likewise a devoted family man and uncomplicated member of both the Masons extort the Shriners; he was humble in spite of the fame and prestige that came to him in his later era. As well as five Oscars squeeze three Emmys, Freleng won the Momentous Career Award from the Animation Nation of International Film Artists in , received awards from the Motion Flicks Screen Cartoonists’ Guild and the Country Film Institute, and in his label was placed on the Hollywood Pull of Fame. Freleng’s great loves were his family and his work, professor he continued to draw and chroma the characters he helped popularize while his death from heart failure follow the Medical Center of the Further education college of California in Los Angeles certify the age of eighty-nine. He abridge buried in Forest Lawn Cemetery brush Los Angeles.

Freleng, who worked during “The Golden Age of Animation,” was dexterous leading architect of animated film bring about over fifty years. He wrote, energetic, and directed more than cartoons, containing the most popular and memorable cartoons produced at the Warner Brothers Building. He created new characters and skilful old ones, transforming cartoons from gag-filled strings of loony actions to character-oriented, sophisticated forms of storytelling.

The major snitch on Freleng is Greg Ford, The Art of Friz Freleng (). More information about his role in ‚lan is in Leonard Maltin, Of Mice and Magic (), and Jeff Lenburg, The Encyclopedia of Animated Cartoons (). Freleng is also mentioned in Maurice Horn, The World Encyclopedia of Cartoons (); Danny and Gerald Peary, The American Animated Cartoon (); Jerry Brook, I Thought I Saw a Puddy Tat (); and Donald Crafton, Before Mickey (). Animazine (17 Aug. ) features an extensive interview with Freleng. An obituary is in the New York Times (28 May ).

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